Aho Girl

Aho Girl is about a girl who is totally fucking retarded. The show is totally fucking retarded. Yet I can’t stop watching it. What am I doing with my life.

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Aho Girl is a short anime (I think every episode is like 15 minutes). It’s a collection of short little stories (5-10 minutes apiece) and they’re all dumb. The characters are all degenerates (except Sayaka, you’re an angel).

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Akutsu is a violent domestic abuser in his early years thanks to his experiences with Yoshiko. Yoshiko (‘Aho girl’) is a retard with a magical ability to make everything around her get dumber. Sayaka is a pure angel that has no reason to be in this anime. Yoshiko’s mother is a degenerate who (on screen!?!?!!!) admitted to effectively raping Yoshiko’s father. Oppai Incho (yeah, who remembers her name anyway?) is a delusional stalker. There’s some delinquent that also suffers from stupidity. Oh, and I guess Akutsu’s sister also has that curse. And there’s a dog that is pretty much a bro? Dog’s cool I guess. His name actually is Dog. Guess whose pet he is.

There isn’t an overarching story. It’s just the lives of these people. This anime being short is actually a point in its favour because it’s so bad that you can’t get attached to characters (except Sayaka, and she only sticks out because she’s normal) but it’s also so bad that you have to watch it. Also, the opening theme is extremely catchy. It’s like this rap that at one point goes all opera and then becomes a rap again.

I guess this anime subscribes to the ‘Family Guy’ approach to comedy. Hit the audience with something mildly amusing, and then move the attention to something else mildly amusing. Since you never have too much time to stew on how stupid what you’re laughing at is, it’s good enough to keep you amused for the 15 minutes.

Overall, I’d say watch it. It’s so bad it’s good. Thanks for reading.

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Aho Girl

American Cultural Appropriation

This post isn’t getting much of a draft process so it won’t really be the same quality as the other posts that I’ve done but I do want to get my piece in here. I’m literally just stream of consciousness-ing this post.

Readers may know that I am a bit of a manga fan. I read a lot of trashy manga like Yuusha ga Shinda and Kumo desu ga, nani ka? Though that’s not to say I can’t appreciate a good Hajime no Ippo or Jojo’s Bizarre Adventures. No I have no read One Piece. No, I’m not going to read it any time soon. I’ll wait for the completion. It’s bad enough Miura is stringing me along with Berserk. At least Togashi has Hunter X Hunter moving along nicely =D

Anyway, there’s a manga that became very popular and has finally hit the west in the form of My Hero Academia. My Hero Academia is the story of how Midoriya Izuku becomes the greatest hero. They spoiled themselves in the first chapter or so, don’t cry to me. Izuku lives in a world filled with people that have superpowers. He was born without superpowers and he has an unfortunate fascination with heroes just like any of us. So he wants to be a superhero but alas, no superpowers. He does get to eventually enter hero school with a small loan of a million dollars the superpowers of the greatest hero in their universe.

When you think of superheroes, no matter where you are in the world, you probably think of Marvel superheroes like Iron Man and Spiderman. These movies are very common throughout the world. While manga do often have people with unusual powers, the ‘hero’ character is really an American thing. Rugged individualism is an American ideal. Many heroes in the series were easily inspired by American comics. The Symbol of Peace – All Might wears red, white, and blue. He names his attacks after states and his strongest attack is ‘The UNITED STATES OF SMASH”. The man is always optimistic and willing to face danger headlong because he is the embodiment of heroism. It’s so inspiring to see All Might, not only a great hero, but a likable hero. He’s not rude, he’s overly polite. He’s not unapproachable, he’s incredibly friendly. All Might gives hope to those around him.

I feel like Horikoshi really loves America and American culture. And his love of the United States can be found in My Hero Academia. I love this manga because (in my opinion) there isn’t a single bad character in it. I wish I saw more Tooru Hagakure (pun intended) but overall, very well done.

We live in an era where certain individuals will vilify a person for borrowing from culture outside their own. They say this is offensive to the cultures, and that everyone should just stay in their own culture boxes and leave well enough alone. But I disagree. I have never connected so strongly to a manga (Berserk may have come close) as I have to My Hero Academia. I’ve never been so invested in so many characters in a manga. And I believe it’s not only because Horikoshi has written a good manga, but because I can feel the appreciation for American culture in this manga. This man (probably) loves America, and loves American media. And there’s nothing wrong with that. I celebrate this! I wish we had more mangas about different aspects of American culture! This is wonderful!

This is why I don’t understand how ‘cultural appropriation’ is a thing. Really, I’m so very pleased by this cultural appropriation. I would welcome Horikoshi into my home. There was a video that went somewhat viral, maybe a year ago of a black girl harassing a white boy because he had dreads. It seems she interpreted it as some kind of insult. But I don’t understand why. If she has cultural ties to dreads, shouldn’t she be happy that people from outside her perceived ingroup can appreciate dreads as well? There was a story a while ago about a young girl that loved tea ceremony and I believe she posted images in traditional wear. She received many hateful comments for this, saying that she was ‘appropriating Japanese culture’, and that it was offensive to Japanese people. These people weren’t Japanese though. When the Japanese people finally made a response, they were very thankful that the girl appreciated their culture so much. The girl did the research and actually invested herself in tea ceremony. She was celebrating their culture, not mocking it.

I wish that all of these people that think of cultural appropriation as a thing would see it for what it is – flattery. Imitation is the sincerest form of flattery. There’s no reason we should not be able to appreciate another person’s culture. Appreciating their culture is what makes the world great. These people claim to support multiculturalism, but everyone has to stick their own culture? That seems contradictory. It elevates tokenism to being the standard, rather than something we would openly find distasteful.

So long story short, I want to give another ‘Thank you’ to Horikoshi. You’re doing a wonderful job mate. Every chapter keeps me on my toes and all of your characters are wonderful. I love it. And thank you for loving American culture, loving my culture as much as I love my culture.

Thanks for reading.

Artemis Hunt

American Cultural Appropriation

Date A Live

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So I am a member of certain Facebook groups that share images. Some of these images get me a little interested in the source material. Date A Live seems to have some really cute characters so I decided to look it up. Tags… MECHA?!

SOLD!

I’m not sure that the ‘mecha’ tag is being applied properly. Mecha usually involves GIANT FUCKING ROBOTS THAT MANLY MEN PUNCH OTHER THINGS WITH. But in this show the only things vaguely mecha are the outfits that some of the girls wear. And quite frankly, that doesn’t cut it for me. And they’re not even used all that much to be honest. Most of the girls in this show are fodder.

In Date A Live, the world is being ravaged by ‘spirits’. They’re supposed to cause ‘spacequakes’ when they arrive but apparently that gets turned optional real fast. Probably because doing an evacuation in every episode would be a waste of time and totally boring. A boy promises to meet his younger sister (ugh, siscon) in front of a restaurant even if a spacequake evac occurs. Whoops, you can probably guess what happened. The boy, I guess we can call him Shido, it’s his name after all. Shido goes to the restaurant and whoops, there’s a fight going down. Then his sister bails him out and he’s told that he needs stop all of the spirits (conveniently female) from rampaging by dating them. I… what is this plot even…

Now you can probably see the problem right away.  Women don’t always take kindly to guys dating other women. And apparently his ability to stop them from rampaging is entirely dependent on making all of the spirits love him simultaneously so I dunno mayne. This is just a disaster. And of course there’s a human interested in him and that causes problems to. And it gets so terribad that at one point he is dating 3 girls at once and you can tell the writers have never been on a date before because you can’t leave your date unoccupied for 30+ minutes and ‘nothing happens’, mmkay? Ain’t no way that girl gonna be okay with you unless she’s not interested in you. But yeah, that happens.

Quite frankly, I think there’s too much filler. The highlights of the series can be chopped down into 2-4 episodes really. You really only needed maybe 4 of the ‘core’ characters. to tell the story (if we’re calling it that). Maybe that’s the problem. There are characters introduced as main characters that literally turn into side characters. Abomination. I feel like the show may have been entirely filler. I didn’t get a clear sense of direction. What am I being told? And where are my giant robots?

That being said, we do have some shining light. Kurumi is one of the cutest things I’ve seen and she’s crazy to boot. Why do I like ’em crazy? I don’t know. I just do. Sue me. Anywhere, here’s a picture of her.

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The other shining light is the music. Seriously, the music to this anime is way too epic compared to the quality of the anime itself. It just soars majestically into the horizon on the back of a flying MECHA dolphin.

Without a clear sense of direction, terrible dialogue, terrible characters, I cannot in good conscience recommend this anime. That’ll be it from me though. Thanks for reading.

Artemis Hunt

Date A Live

Miss Kobayashi’s Dragon Maid

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[Image taken from CrunchyRoll]

Is it just me or is the geometry necessary to pull of that tail kind of… impossible.

Miss Kobayashi’s Dragon Maid is a cheerful little anime about… Miss Kobayashi… having… a… dragon… maid. In other words, exactly what it says on the tin. Miss Kobayashi gets plastered one night and meets a dragon in the suburbs. Why no one else saw this dragon is completely beyond me. So in her drunken stupor (I can’t believe they make us wait for the last anime for the backdrop to this anime either) she says that the dragon, named Tohru, can live with her as a maid. For some reason or another Miss Tohru says yes. And the rest of the anime is pretty much cute girls doing cute things.

Miss Kobayashi is a pretty blank slate. Her only distinctive character trait seems to be her love of maids. Which only seems to exist as kind of motivation to kickstart the series. Nothing really wrong with it, but it’s not really discussed much. I think that the anime is really about Tohru, which… we may have expected since she’s featured exclusively on the cover I posted above… huh.

Tohru is a cheerful gal and she seems to genuinely love Kobayashi (for good, spoiler reasons). She’s always trying to get Kobayashi to eat her tail for some reason… I wonder if it’s a gag that’s better explained in the manga. It just became a running joke and it’s not terribly funny. I believe Tohru is used to sort of describe what it’s like adjusting to a new life and whether or not she can accept the consequences that come with it. It’s not a terrible message to work with, but if that’s the topic then this anime fails spectacularly. Such a struggle is only really brought up between the moments, and doesn’t appear to be the focus of the anime.

You may be familiar with this little thing:

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This is Kanna Kamui. She has become something of a meme for some reason or another. She’s actually incredibly adorable. Seeing a starving individual, without even asking Kobayashi, she goes to fetch them some food. She also has one of the sweetest voices I’ve heard in quite some time. I feel like she exists to be memed though. Not sure if that’s because I saw the memes before the anime; but watching it, I couldn’t help but recognize why the memes came into being. Kanna is just too meme-able.

There are some things that play against it. Three of the five dragons are pretty useless to the story. Fafnir, Lucoa, and Elma. My suspicion is that they were supposed to represent separate parts of Tohru in her decision of whether or not to stay in her new world. Fafnir would have represented Tohru’s doubt. Fafnir reminds Tohru of the limited lifespan that humans have, and that one day Miss Kobayashi will die… what then? Lucoa is a bit more moderate, and her actions seemed to be designed to help Tohru realize what she has in her new world. But I don’t think she really wanted Tohru to remain, as Lucoa seemed to enjoy stirring up trouble. Lucoa is the throwaway huge breasted character, so she isn’t terribly important. Elma came in rather late (episode 8 or 9 I think) and had such little screentime, I don’t think there’s much to say about her. But because Elma is successfully adapting to Tohru’s new world, my guess would be that she’s to represent what Tohru could become, a normal human.

I really do think that the description cute girls doing cute things is really all we can work with. There’s nothing wrong with that. There’s nothing wrong with that at all! I loved it! I was smiling for almost the entirety of the anime and I may now have diabeetus thanks to how sweet some of the characters were. Overall, I highly recommend it. It’s not difficult to watch, there’s no clock running, it’s just… fun. I do hope that there’s a season 2. Thanks for reading.

Artemis Hunt

Miss Kobayashi’s Dragon Maid

The Testament of Sister New Devil

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[Image taken from CrunchyRoll]

This review covers Seasons 1 and 2. It is implied that there will be a Season 3.

This show is all over the place. So the premise of the show is that Basara (not to be confused with Subaru who was often called Basuru from Re: Zero) apparently always wanted a little sister and his father up and found two sisters for him. I… I’m not making this up. The two sisters wind up to be demons fleeing a war that were attempting to use his father to secure safe lodging. The next part of their brilliant plan is to forcibly oust Basara and his father from their home. Just like the current migrant crisis (political humour… check). Unfortunately for the girls, Basara and his father are in fact not retarded and highly resistant to the charm magic they were using. So they were sorely mistaken if they thought Basara and father were going to take that shit lying down (like the United St…). But get this, Basara is so cucked that he lets the two demons stay in his home after he kicks their ass out. Because… they’re family now? I don’t even…

The redheaded broad is apparently a princess whose power is the envy of the demon realm so she has to hide. Only she’s shit at it because everyone and their dog seems to know where she is. So much so that some people were already observing her from the demon realm and the hero village. Shit man, why even mention that she’s in hiding if it’s all moot three episodes in.

I should probably mention that Basara is a hero village exile because he blew shit up when it hit the fan. This dude stole a sword and went on rampage so Basara blew him up (somehow) and now Basara uses the sword (not sure why). Apparently the sword has a special ability which erases magical power but the caveat is that it can only be used as a counter attack. Which… doesn’t explain why the sword’s power didn’t stop Basara’s explosion… huh. On top of that, the ‘counterattack only’ rule kind of goes out the window by episode 4 or something which is kind of a drag. It even gets mentioned in Season 2 where the dude literally says “I THOUGHT THAT WAS ONLY SUPPOSED TO BE USED AS A COUNTER ATTACK” and I’m shouting at the screen “I KNOW, RIGHT?”

If there’s any consistency in the show, it’s that the rules are inconsistent. The plot is inconsistent. And I think some key pieces of source material may have been left out. Basara’s father saves a poor kid falling out of a building and that kid has one or two lines. And that’s it. Mind you this kid was saved during episode 1 or 2 in a 10 episode season. Like… what was the role of this kid? What point did he serve? Why do I even care? And the fight scenes are absolutely terrible. Jesus christ, a fight scene is poetry through fists and these fights are just a fancy effect or two and done. There’s little to no background to the fights other than “Me gud, you bad”. Our characters are very reactionary. Were it not for the demon realm trying to get their hands on princess, this show would just be a bunch of sex scenes. There’s nothing motivating the characters to move forward. They just seem to want to hold their ground.

Honestly, I’m wondering if the adaptation was made for its sex scenes but its sex scenes are mostly used as plot convenience or dialogue dumps and I don’t even understand what the point of it all is. Most of these scenes don’t even have proper setup.

Anyway I’m trying to think of something good to say about the series but I can’t. This series is terrible and I cannot recommend it to anyone. Thanks for reading.

Artemis Hunt

The Testament of Sister New Devil

Re: Zero

This one has been in the queue for a while because I’m always late to the party but really because it has impressive plot. I mean, look at that plot.

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No, not everything I do can be motivated by cute anime girls, gimme a break (Seriously though, Rem best girl).

A lot of people have hyped this one and I figured with cute battle maids, it can’t be all that bad, right? Right.

So Re: Zero tells the story of a useless idiot that for some reason is called to a fantasy world. He expects the whole protagonist thing where you’re ‘The chosen one’ but finds out that he’s totally fucking useless. His only power seems to be to return to a very specific point in time every time he dies with all of the knowledge of the life he had before. I know there’s source material that I haven’t read, but I don’t think it’s accurate to say that his power is to rewind time but rather to send his consciousness back in time. It is through repeatedly dying that Subaru solves the various problems that come his way.

Subaru is the inversion (yep, gonna have to use that word again) of the typical video game (not saying that this is a game) protagonist. Comparing Subaru to SAO’s Kirito or Log Horizon’s Shiroe, he’s useless. He’s closer to Kazuma from my recent KonoSuba review. His only talent (and it’s a damn good one to be quite frank) is his ability to send his consciousness back in time (I swear that has to be his real ability despite openings suggesting otherwise). Because it allows him to navigate ‘Dead Ends’ similar to the quickload function in my visual novels.

This sort of power is kind of a mess to deal with because it’s so easy to make it seem like a deus ex machina device and in reality it kind of is. What I like about the way it’s executed here is that Subaru has to die first. And it might seem terrible but I think that’s the most important part. In other series this power might be activated like a ‘Get out of jail free card’ but Subaru actually has to experience the full death in order for this power to activate. Which can be excruciating because it can take a while to die.

Unfortunately when your character can return to a save point, it can make relationships between characters difficult to effectively establish because you’re playing with cause and effect. What this means is that you have to rely more on character interaction itself.Not saying that it’s a bad thing, just that it’s something to consider and all things considered I believe Re: Zero effectively executes this. And I do like how the various tragedies that happen to Subaru turn him from this otaku that was happy to find himself in the magical world into this man that has died several times and quite frankly doesn’t want to deal with this bullshit anymore. And the transformation is effectively communicated because you can easily see the intermediate steps, very well done.

My main complaint with the show is motivation and plot. Quite frankly, there isn’t any. At the end of the second season I find myself asking ‘What was the point of all that. What have I learned’. And I don’t think I’ve learned anything. So it feels like everything was pointless. Now you could point to the Royal selection process and say ‘Aha! That was the plot you nimwit’ to which I’m going to have to say ‘No, no it is not’. You are confusing ‘backdrop’ with ‘plot’ Understandable, yes, but they’re not the same thing. The backdrop is something that may set things in motion and continuously acts from behind the scenes. The plot is our reason for moving forward and quite frankly, there isn’t anything. Nothing feels natural.Most of all, Subaru’s feelings for not-best-girl. Subaru says he’s motivated by Emilia’s smile and whatnot but something weird happens and it gets to the point where what was once sweet and charming becomes downright deluded and creepy. And there are things he says that make me cringe. Jesus Christ dude.

Okay, maybe I’m being unfair to Emilia because Rem is just everything I need in a woman and also because her character is probably the most fleshed out one of the main cast post-resets. But the amount of character in the characters is remarkably tiny. We only really get development of Rem. I’ll also remind you that Rem probably has one of the most beautiful, heartfelt confessions in anime history and her character is also great and Subaru still turns her down. SUBARU. WHAT. ARE. YOU. DOING.

Overall, a very beautiful anime with some epic music. While the anime wasn’t as great as I was led to believe, I definitely enjoyed watching it even if it didn’t really make any sense. If another season comes out, I’ll probably watch it. Those are my thoughts, thanks for reading.

Artemis Hunt

Re: Zero

KonoSuba

Is overrated.

As a nerd that lives in their mother’s basement, true to form I watch YouTube videos about anime. There seemed to be a consensus within the community of YouTubers that I watch that KonoSuba is a pretty funny anime. I beg to differ. Maybe I watched it the wrong way, maybe I wasn’t supposed to wait for the humour. It’s not a gag anime like Gintama.

KonoSuba is the tale of Satou Kazuma after he is killed in episode one Yusuke Urameshi style. In purgatory(?) he is told that he can reincarnate in a fantasy world. He’s an otaku, seems like a pretty sweet deal. So he takes it. The Goddess in charge of his reincarnation says that he can choose anything to take with him. Now Kazuma is a pretty serious guy and he doesn’t want to die again in the next world so he’s taking his time. Goddess gets snippy. He demands that he get to bring her with him. Apparently that was allowed! So in a fashion reminiscent of ‘Ah! My Goddess’ his story begins.

Kazuma is the inversion of the absurdly competent hero trope. Instead of being able to transcend the limits of his world through sheer willpower (*coughBullshitFloor79cough*) he spends his skill points in useless stuff that only become situationally useful. Because of this, instead of winning fights through ability, he often has to pull things out of his ass. The four main characters all seem to have been designed to be as terrible at their job as possible and the story itself has been written in such a way to make their uselessness not so bad as to end the story. In fact, if I had to sum up KonoSuba in a word, I’d say inversions. It seems to be a series that is comprised entirely of inversions and aversions.

That’s not to say that it’s bad for setting itself up like that. I just don’t see the direction. Normally these ‘standstill’ anime are comedies. You stay in one spot until the comedy is done and then you all take a bow. But those often rely on being… ya know, funny. KonoSuba isn’t funny, at least not to me. And I’m someone that rolls on the floor laughing at Gintama. There are plenty of other anime that are funnier and much better executed than KonoSuba with more consistently good humour.

Maybe my hopes were set up too high thanks to the YouTubers I watch. That’s not to say that KonSuba is terrible. I’d say that it’s even a little fun. It’s not great, but it’s not terrible. I’d say give it two or three episodes and if you’re not sold, drop it. Because the formula doesn’t change for the other 17. That’ll be it from me though, thanks for reading.

Artemis Hunt

KonoSuba